For a general discussion of the noise issues I will refer you to another article at this site; it is recommended that you read it before proceeding down this page.

About the samples

All samples shown in this page have been taken from "lens cap shots", i.e. exposures in absence of any light reaching the CCD.

Pictures were saved in the SHQ (1:2.7) JPEG format, and the in-camera postprocessing was set to defaults, i.e., "Normal" positions of contrast and sharpness.

The samples have been taken from the same place in the original image (top-left corner).

In order to show the differences between samples more clearly, the published images have been "stretched" in brightness in postprocessing: the 0-32 RGB interval has been expanded to the full 0-255 range; i.e., the brightness of every pixel was increased eight times. Without this exaggeration, in most of the samples the noise would be very hard to see with a naked eye.

To illustrate the process, here is a row of "straight" samples, without stretching. Compare it directly with the same images after stretching, shown in the next row below.

(Note the hot pixel at the bottom right; it begins to be visible with the naked eye at exposures of 4 seconds; in stretched samples you can easily see it at one second.)

The data

To give you a more or less complete view, I'm showing a set of twelve samples, generated at all four available ISO settings, and at three long exposure times: 1s, 4s, and 15s. Exposures shorter than 1s are not worth bothering with: there is no measurable dark noise there, a very impressive performance!

As far as I can see, at ISO 80 noise becomes an issue only at the longest exposures: 15 seconds or more. This is an excellent performance, even better than that of the E-10.

Noise reduction

Now let us have a look at the effects of the noise reduction process. Let me jump straight to the ISO 320 exposures, so that you compare this row of samples with the last one above.

Clearly, the noise reduction is working; the effects are quite visible. On the other hand, the effects start being visible only when Type I noise prevails, i.e., at exposures longer than 1s.

Olympus states in the manual that the noise reduction works at shutter speeds of 1/2s and longer. Really, this is more complicated (and more confusing):

• With noise reduction enabled, at shutter speeds faster than 1/2s the camera will go through the second, "dark" exposure, but the final image, however, will be identical to that obtained with NR disabled (no actual image subtraction, i.e., all hot pixels showing). This does not seem like a very smart design.
• The noise reduction activation depends not only on the shutter speed, but also on the aperture used. For example, it does not work at 1s and F/11, but it does at the same shutter speed and F/2.4.

E-20 versus E-10

Almost all reviewers report a marked improvement of the low-light performance in the E-20 as compared to the E-10 (where it was already quite good). Here is a side-by-side comparison, with "stretched" samples shown, E-10 at the top, and E-20 at the bottom. The longest exposure time is 8s, as this is as long as the E-10 will go in the manual mode.

While this is not a real measurement, it looks like at ISO 80 and 1s both cameras generate similar amounts of noise. With increasing CCD gain and/or exposure time, however, the E-20 has a clear edge.

Related pages

• My noise article with a general introduction to the problem
• My E-10 dark noise article
• An excellent article on hot pixels by Bryan Biggers
• Another look at the E-10 hot pixel issue by Dave Weikel
• My technical review of the Olympus E-10 and E-20