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December 16, 2007

The most unique ZD lens so far? For the last two weeks I've been using the 7-14 mm F/4 ZD wide-angle zoom, and I really, really like it. First of all, this is the widest rectilinear (as opposed to fish-eye) lens for any system less than full-frame (and we know what those cost!), zoom or not. Second, it delivers: the image quality is most impressive.

Popular Photography strikes again. Every year the technical literacy of writers reaches a new low (except for Mr. Keppler, always fun and educational to read). In the January issue, the reviewer writing about the new Panasonic DMC-L10 (a Four Thirds camera) mentions the Olympus E-510 as having an advantage of "a wider variety of compatible glass". I'm not sure how this conclusion was reached — if every Four Thirds lens works with every Four Thirds body. This may have something to do with the "new math" and our school system.

Still, Popular Photography remains our sole source of real, dependable lens tests, so I'm going to keep my 25-year old subscription. And I like reading something printed on paper.

A conclusion of my laptop saga: After a month (!) of having it in their repair shop, Averatec still did not have a replacement motherboard, which is somewhere between outrageous and pathetic. I decided to accept a partial refund, and got myself an Asus U6S-A1, one of the very few models combining portability (12" screen) with processor power (Core 2 Duo T7500 at 2.2 GHz). A beautifully made and well-performing piece of hardware, crippled with the Windows Vista.

This is the first Vista-based system I have, and it looks like Microsoft outdid themselves this time in screwing things up, royally. Before I started using it, I was taking all user complaints with a grain of salt, but no longer. The thing uses 50 MB of memory just to show the glassy Aero interface, another 30 MB for the gadget sidebar; to see an empty desktop with no applications running you need close to one gigabyte. The security "improvements" make any file operations close to impossible, or at least most irritating, and wireless networking is almost broken. Let me spare you the details, but I've been around the block a few times, and I have no doubts making these statements, as strong as they may seem.

A friend at work (also a software engineer and IT professional) gave up after three weeks, reverting to Windows XP (more money for Microsoft, what a business model!); I'm planning to hang around and see what happens.

In the meantime, I'm still under a huge email backlog; do not feel offended if I sometimes reply with a two-month lag.

As always this time of the year, I'm off for Poland; back on January 6th; do not expect much, if any, activity around here before then.

Merry Christmas (or, as Washington Post wants it, "winter holidays"), everyone!

November 27, 2007

We had some photogenic weather on the Thanksgiving Day afternoon: the last twenty minutes of scattered, warm sunlight before an approaching storm. A quick walk around my neighborhood brought a number of keepers.

Here is one. While the original, color picture was quite nice, I decided to play with it a bit in postprocessing. Converted to monochrome (red-filtered) the picture was OK, but I decided to run it through the faux-infrared filter in the latest Paint Shop Pro X2, and here is the result.

The new Paint Shop Pro X2. I've been using this program since early Nineties, although not for photography, but mostly for Web graphics (and an occasional business presentation). A few weeks ago Best Buy was selling it at $50 (compare that to $60 Corel charges for the upgrade from the previous version, or $100 direct), so I decided to get the new version.

I hope to do a brief photographer's write-up of that program within the next month; for the time being let me just say that there are many things I really like about it (fewer bugs that Photo-Paint, less repulsive to use than Photoshop, while every bit as capable, at least for my needs) and a few I still dislike (speed of operation, crude sharpening algorithms); still, after some effort spent on mastering and, as importantly, customizing it, Paint Shop Pro can really shine as a postprocessing application, and not just at the price.

True, PSP X2 it is still bloated with features useless for a photographer (vector graphics? picture tubes?), at the same time skipping some of those we may consider more essential, like Olympus raw camera file support. The product information is evasive on the subject, stating here: "IMPROVED Camera Raw Support | Download photos from camera to computer effortlessly -- including Raw". Seriously, I'm not joking (maybe Corel is?) — this as all I was able to find on the Corel site (in addition to a 2005 Knowledge Base article, listing E-10 and E-20 as supported models).

While I was able to open (in 16 bits/color) an .ORF file from the E-500, the program reported such a file from the E-510 as "unsupported type". Yes, I'm using the latest v12.01 update, released in mid-November; actually, the E-500 support was fixed only in that version — just after the camera went out of production. Not a promising sign. Still, at $50 the PSP X2 is a good buy for what if offers, and it has at least four features I need which it does better than other programs I've used.

For the record: the official product name has been bloated to "Corel Paint Shop Pro Photo X2" — a clear sign of some marketing specialists working really hard. The next version may be named "Corel/Adobe Paint Shop Pro Super Photo PS3 Plus" or even better.

What happened to the Olympus raw file plugin? RIP? Yes, it seems so. This handy piece of software allowed you to import (with adjustments) a raw Olympus (.ORF) file into your favorite image-processing application, as long as it supported the PhotoShop import plugin standard (and all better ones do). Unfortunately, the last version available included compatibility with models up to the E-500; nothing after that.

The way things are, for the E-410, E-510 or E-3 you have to use the Olympus Master (good looking, clumsy, limited), or Olympus Studio (still limited, not really an image-processing application), and then save the RGB image (preferably in a lossless, 48-bit TIFF format). Only then you can load it into a "real" image editor. Hardly a smooth workflow. Ironically, both the Master and Studio give you, at least in some aspects, less flexibility in conversion than the camera's firmware. The same is true about the third-party raw-to-RGB conversion programs and plugins I've seen.

Were the raw plugin still alive, the missing .ORF support in the PSP X2 (or other similar applications) wouldn't be a problem at all. Oh, boy, am I happy not using the raw format! If I were, I would be really grumpy now. (And yes, I've tried the LightRoom from Adobe, and I'm suffocating in it.)

November 22, 2007

Dark Noise and Hot Pixels in the E-510: the article, posted just yesterday, has been updated by adding a comparison with the E-500. Yes, the new model has a clear advantage here over the older one. No, it is irrelevant in most applications.

To all my Readers in the States: Happy Thanksgiving!

November 21, 2007

My laptop is still in repair: last week Averatec diagnosed a need to replace the motherboard; five days later they told me the motherboards (for a current model) are out of stock, and they will have to reorder. Excuse me? Will have to? Five days after discovering you are out of stock? In a nation-wide repair center? Then (three days before the Thanksgiving) they told me the offices will be closed for the holiday, not to expect anything before the break. Is re-ordering an operation requiring three days of uninterrupted attention of a major corporation? Come on, this sound like a bad joke. Averatec makes good and inexpensive computers, but their repair facilities seem to be in need of a major facelift.

My email is back and running: I had no choice but to move my backed-up mail folders to another computer; now I'm (again) crawling from underneath a major pile-up. I'm expecting to be current in two weeks or so, not earlier.

Dark noise in the E-510. This is the component which mostly defines the noise in shadows of long-exposure images. While it is of minor significance to most photographers (after all, how often do you use a 8-second or longer shutter speed?), some of us just like to know such things. A new article on dark noise and hot pixels offers some samples and comments. It is, of course, also fully applicable to the E-410.

Give me a few more days to add a comparison against the E-500; this may be quite interesting.

The E-3 is here: shipping in the U.S. for the last few days. I hope to play with one over the weekend. Don't expect a full review, though; I'm not planning to buy this camera, as good as it may be, preferring to stay happily married...

Olympus SLR firmware updates. Quite a few E-Series cameras got a new firmware, although Olympus Web sites (at least in the U.K. and U.S.) will be the last to announce this, as always. Yesterday I was able to update my E-510 to v1.2, and the E-500 — to 1.2. According to Olympus Japan Web site, the firmware for all E-Series models from E-1 to E-510 (excluding the E-400 only) got new versions. The changes are, officially at least, limited to compatibility issues with the new EC-20 teleconverter, except for the E-510, which gains (as per the same source), "Improved image stabilization when shooting at slow shutter speeds". If there are any other changes or fixes, they remain undocumented.

It is hard to say how significant the IS improvement may be; to draw any meaningful conclusions I would have to shoot at least 300 test frames, redoing a half of my E-510 IS test. I'm not really willing to do that. For a number of reasons, however, I would guess that the actual improvement, if any, will be limited to a small fraction of EV — unless something was really botched up in the original version, which is quite unlikely.

Good news: a firmware upgrade no longer destroys all your presets and preferences, at least not in the E-510 and E-500. Bad news: it is still available only through the Olympus Master (or Studio) software while connected to the Internet. This is a very wretched idea: too many things may go wrong.

November 18, 2007

My laptop failed on November 5, and is now being serviced by the manufacturer. This is why I'm not receiving (or responding to) any email. Yes, I have backed up all data before sending the computer to the shop, but moving my whole email to another computer just for a few days seemed too much of a hassle; I decided to wait it out and pick up where I left. Unfortunately, Averatec is taking its sweet time: it took a full week (since receiving the parcel) just to have a technician open the case. I'm expecting to be back in business within three more days or so, and then I will start working on the email backlog. My apologies, and be patient.

Backing up: while I keep an almost-daily backup of my work-related files on an SD flash card, it is nice to be able to restore your whole system to the point where you were before sending your computer to be repaired (most manufacturers will revert your drive to factory defaults). This was made easy and painless by the Macally 2.5" SATA to USB 2.0 enclosure from Amazon, which worked without a glitch. As soon as my laptop is back from the shop, I will as easily bring the drive back to where it was.

More E-510 image samples: fall colors and ISO 1600. Yes, the camera is capable of delivering some massive eye candy, and I'm still learning to appreciate it.

Leibovitz at Corcoran: A few weeks ago I mentioned the Ansel Adams exhibition at the Corcoran Gallery of Art in Washington, DC. Last week I went back to Corcoran to see the photographs by Annie Leibovitz. Surprisingly, there was a long line for the tickets this time, and the Leibovitz exhibition was much more crowded than the other one. A sign of times, perhaps magnetism of celebrities.

In my (layman's) opinion, the Leibovitz exhibition is disappointing. Limiting it to maybe 30% of strongest images would make it superb; unfortunately, the whole set has been watered down by including the remaining 70%, ranging from a "Sears studio" fare (professionally done but uninspired) to plain mediocre (and I do not count the family snapshots, intermixed with the whole). The Monument Valley murals are just a joke (maybe this is really a case, but I don't get it). Still, the few gems (mostly B&W portraits) are memorable and will justify making a trip. Do it if you can.

November 3, 2007

Two new Gallery pages with recent pictures: Maryland Renaissance Festival (shot with the E-510) and What Grows on My Patio (mostly E-510, but also E-500 and E-410).

This year my wife and I decided to actually grow something in our patio garden, as opposed to letting something grow. A nice side-effect for a photographer is that you never run out of subjects for picture-taking; during the day the light changes constantly, providing you with endless opportunities to experiment, and during the night various things crawl in.

Next spring, try to grow something. Anything. The photographer inside you will thank you for this (and you can eat some of that stuff later, too).

Thank you to all who responded to my request and checked how the live histogram works on their E-410 or E-510. Now I can restate with full conviction that the feature is broken and basically useless, as reported in the E-510 review. By the way, the E-410 User Report underwent some further cleanup and corrections. And, yes, I've added some of my flower shots to the E-510 samples; now I believe this camera is capable of the colors I liked so much in the E-500. Another addition to that page is an ISO 1600 image with some banding (still, quite impressive for that speed).

November 1, 2007

A new article: Picture Modes in the E-510; mostly samples, with some comments. The article is also fully applicable to the E-410.

October 28, 2007

If you live within a driving distance from Washington, DC, or if you are planning to visit before January 27th, it would be a shame not to see the exhibition of photography by Ansel Adams at the Corcoran Gallery of Art, almost across the street from the White House.

The exhibition shows some of the best-known pictures by Adams, as well as some I've never seen before. Seeing a four-foot print of Moonrise, Hernandez, New Mexico is just one of many delights.

I would recommend seeing this exhibition mostly (if not only) to those who complain they cannot get decent photographs with less than five frames per second, ISO 3200, and image stabilization. Ah, and did you know that your full-frame, 24×36 mm sensor actually has a "crop factor" of 7×?

As a bonus, the ticket is also valid for the other display: photographs by Annie Leibovitz; very different and very much worth seeing. Don't miss this opportunity.

The E-410 User Report by Ricardo Hernández is here! The editorial work on it took longer than expected, but we are (almost, as always) done. As the camera's imaging is identical to that of the E-510, the piece may be of interest to those who own (or are considering) both models.

Actually, the best source of information on the E-3 is the Instruction Manual, seemingly in the last stages of the editing process, but 99% complete and very interesting. Bad news: Olympus did not hire better writers. Ironically, the manual does not seem to be available from one of the bazillion Olympus Web sites worldwide, but you can find it at amazon.com. The price? $1700 in the U.S. for the body, an extra $900 for the 12-60 mm ZD ED SWD lens.

October 3, 2007

The most enjoyable season (in Maryland, at least) is here: sunny and warm, yet mild, days just asking you to stay outdoors and take pictures. That's what I'm doing, at the expense of adding contents to these pages; I hope you'll understand.

Last weekend my wife and I went to the Maryland Renaissance Festival in Crownsville, just a ten-minute drive from where we live. (Note: the festival will be open on weekends till October 21; if you live nearby, use this opportunity!)

All the singing, dancing, jousting, dressing up — a great place for candid shots, if under tricky conditions: the grounds are heavily wooded, providing a wide luminance range, from deep shade to bright, sunny spots. I had to juggle the exposure compensation all the time: from 0 EV in shaded scenes to -0.3 EV is sunlight, to -1 EV for scenes containing both.

Note to some writers: EV stands for Exposure Value and should be capitalized, while eV is electron-volt, a handy unit of energy, used mostly in particle physics. A matter of literacy.

The E-510 passed the test just fine; some of the results were quite pleasing. Here is an example.

After more than two weeks with the E-410 I can say that, indeed, this is essentially the same camera as the E-510 — as long as you do not have to have image stabilization. While the latter really works (see my study), its importance is greatly exaggerated. Anyway, the choice between these two models becomes a matter of personal preferences.

The hands-on experience with the E-410 prompted me to largely rewrite the original Class of 2007 article, now focusing on similarities and differences between both cameras, largely for the benefit of those who are still trying to make their mind. I've also updated my E-510 Quick Notes. Now I'm focusing on the upcoming E-410 User Report by Ricardo Hernández — the text and samples are ready; what remains is some editorial work and HTML formatting. Another week?

Old versus new Olympus kit lenses: finally, I found time to go through my comparative samples, using the E-410 and E-510 in both cases. No doubt: the new lenses resolve more detail, even the 40-150 mm F/4-5.6 — quite a surprise! For the time being just take my word; details and samples will follow soon, I hope.

Remember the E-3 floor model auction on a Polish site I reported about? No, the listing did not disappear after all, it is still there, you can see for yourself. Spoof or not, it looks like there were no takers!

In the meantime, rumors abound regarding this camera, expected to be announced by Olympus on October 17.

September 4, 2007

I've spent the Labor Day weekend with the E-410 and I have to admit I like it a lot. A few hundred of samples show results undistinguishable from those of the E-510 (and I did some shooting with two tripods side-by-side), and the streamlined user interface is not "dumbed down" as some say; it is actually more elegant and manageable, especially in the menu system, stripped of many options of dubious, if any, value. There only two advantages of the E-510 are larger battery (which results in a hand grip) and image stabilization; the rest is a matter of taste.

I also went through all settings of that camera, one by one, checking the changes and deletions; the result is the new version of my article, now titled Customizing your E-510 or E-410.

Note of March, 2008, added to fix a broken link: this article has been split into two; one referring to the E-500, and one to the E-510/E-410.

Old versus new kit lenses: with two almost-identical cameras at hand, I shot a series of comparative samples with the "old" and "new" kit zooms, about a hundred frames with each pair, under identical conditions and within two or three seconds apart. I am very anxious to go through the results, but this will be a full day's work.

The floor model of the E-3 seems to have disappeared from the Polish auction listings. Not surprising; this might have been another practical joke. If true, however, this would be a real collector's item, one of a kind, an early prototype.

August 31, 2007

While Olympus still keeps mum on the specifications of the upcoming E-3 (even the model name has not been announced yet), I've seen one for sale! No, not a pre-order; somebody in Poland claims to have brought from Japan a floor model used on shows, and offers it on the Polish Allegro site (which is a local equivalent of eBay): you may see the listing and it looks genuine. (Jurek: thanks for finding this!)

I've ordered an E-410 for a friend, and it just arrived. I will keep it for a while to check it out, hoping to do a full review: after all, this camera shares so much with the E-510 with which I'm quite intimate. At the same time, a a new contributor to this site has the first version of the User Report done; it will be posted as soon as I'm ready with the editorial work and my comments.

August 26, 2007

A cleanup of the whole site (more than 300 pages), but the only thing you will notice (in addition, perhaps, to any bugs introduced) is that all external links (i.e. ones taking you outside of wrotniak.net) are now shown with the small icon, like this one, pointing to, as an example, John Foster's site.

August 23, 2007

An I on a roll or what? One of the most popular articles on this site has been massively updated: the new title is Customizing your E-500 or E-510, and you can guess why...

Note of March, 2008, added to fix a broken link: this article has been split into two; one referring to the E-500, and one to the E-510/E-410.

I'm getting confused: just two days ago I've learned that it was Canon who reinvented photography, and today it turns out that it was Nikon after all (does this mean Canon was lying?). Their just-announced D3 (12 MP, 24×36 mm CMOS sensor) and D300 claim, between themselves, such revolutionary improvements like Live View, vibration-based dust removal, and dual card slots. Both cameras should be available in November. Next year we may see body-based image stabilization.

August 22, 2007

More news on the Canon gear front have been announced.

First of all, the ultimate professional SLR, the EOS 1Ds Mk.III (expected to be available in November). One small letter, 's', in the model designation means a lot: a full-frame sensor. This is a CMOS unit, as usual for Canon, of their own design and manufacturing, and it sports 22 megapixels, close to what some estimate as a medium-format rendering capacity.

Outside of the sensor, and obviously, viewfinder, the camera looks almost identical to the recently introduced EOS-1D Mk. III (no 's'), including the Live View capability. Weight? 1385 g (almost 4 lb) for body only, including battery, but no lens. Price? How about $8000 for, again, body only?

This exotic offering aside ("my car brand just won Indianapolis 500"), a more interesting new model is the EOS 40D (expected in September). This one has a 10 MP, APS-C sensor. While it breaks no barriers, it is offering a number of incremental improvements over its predecessor, the 30D. One of these is the Live View, very much like in the Olympus E-330, E-410, and E-510. Actually, here is what Canon says:

Previously the province of the EOS-1D Mark III DSLR [...], the Live View function now gives EOS 40D camera users an expanded and exceedingly convenient and comfortable set of shooting options.

Interesting... And who invented the Internet, again?

Risking some controversy, I will say that the most interesting of new Canon cameras is the rangefinder (how else do I call it?) PowerShot G9, expected in September. Having the advanced compact market almost to itself, Canon is not resting on G7 laurels, releasing an updated version of its poor man's Leica, which retains most advantages of the preceding model and improves some other points. The camera has a 1/1.7 (5.5×7.3 mm) sensor with 12 million pixels (why?), and a rich set of features aimed at an advanced photographer who, for some reasons, does not want to use an SLR.

The G9 also has the new, 3-inch monitor (compared to 2.5" in G7), probably the same as in 1Ds Mk.III and 40D, with the resolution of 230 thousand RGB sub-pixels (misleadingly referred to as pixels, a common practice; then my laptop has a 3640×800 screen resolution, yeah, right!). None of the these three monitors are, however, articulated, which greatly hampers their usefulness for image preview; the same complaint I have about the E-410 and E-510.

Another feature in the G9 is the face recognition technology, with an attempt to use it for focusing and exposure metering. My friend's son tried this feature (on a Nikon camera, that is) with his fraternity buddies during an extended mooning session, and concluded that it has serious problems telling faces apart from the vice versa; forgive me if I'm not posting any samples.

Anyway, if this works in the G9, the next step will be Smart Contents Substitution; you cannot stop progress in motion.

Back to the Olympus front: my E-510 review has been updated by adding a number of illustrations, mostly those of the camera's monitor (settings, image review, and Live View).

August 20, 2007

With so many people asking about the E-510 image stabilization, I warmed up to dusting off my scientist's hat and doing a small, imperfect, but statistically sound, study of the effect IS has on images from the E-510. No, I'm not going to give out the numbers here, as quoting them out of context might do more harm than good. Read the full article, or refer to anecdotal evidence available from so many sources.

Oh, and thanks to all of the Readers who submitted corrections, extra information, and suggestions for my recent articles related to the E-510. Remember: every little thing helps, even a fixed typo!

August 11, 2007

I am done with the E-510 review. This means that no important parts are missing, and I said what I wanted to say. Ambitious claims and specifications aside, it took me three weeks and 2100 frames to get a grip on this camera's imaging capabilities, and to fully (?) appreciate this little beast. Now I can honestly say: I'm a skeptic convinced. If you want just a quick opinion without detail, jump straight to Conclusions.

This is the biggest article on this site so far: at 190 kBytes of text it surpassed the write-ups of the E-500 (130 kB) and E-300 (120 kB). Are cameras getting more complicated, or am I becoming more verbose?

Of course, the image samples. Some are quite impressive, and I included many full-size, original files (got lots of bandwidth to burn, why not?). These are split into two articles, appropriately named E-510 Image Samples and E-510: More Image Samples.

More on infrared: the article on E-510 in infrared has been updated with a section on handheld infrared shooting. Why not? With working image stabilization and IR-usable ISO 400 I was able to get about 50% of frames without a blur, even using the Live View (and this is much more shake-prone). Shutter speed? How about 0.4 of a second?

In the meantime, my Slik U-112 tripod died: the bottom of the nut-holding chamber broke. I've been using this tripod since 1984, and it never failed before. Finding a replacement was not easy, but after some Internet research and trying ten or so models at a local Ritz Camera store, I settled on the QSX 9001 made by Sunpak. At 1.5 kg this is the heaviest tripod I can carry and the lightest one I can use. We will see.

August 8, 2007

Not much progress, but a thorough cleanup of the E-510 review; I need a full weekend to move things ahead here. I was, however, able to put together Infrared Photography with the E-510 — it may, indeed, be the best digital SLR yet for this purpose, short of a $400 custom job (or the exotic Fuji UVIR model).

August 6, 2007

The Olympus E-510 review is here! Warts and all, in a very early, imperfect version, with a few pieces still missing, but the main backbone of the article is ready. At this time I'm still afraid to draw any clear-cut conclusions, and this is one of the missing parts. If you want to see the completed piece, wait for two weeks or so; if you cannot wait — have a look now and come back later.

One of the problems when writing it was that the camera's operation is very similar to that of the E-500, in spite of the entirely new imaging pipeline and the new features. Therefore it was very tempting to borrow some of the pieces from the older review, and this is dangerous, as some grave factual errors may slip in. I had to resist the temptation and check every described feature by actually using it: a good four hundred of line items to go through; some took just a minute, others — a few hours. In general, a huge task.

In the process I was able to spot some omissions or (still!) factual errors in the E-500 review from almost two years ago. These were filled in or corrected. This is important, as the E-500 is a great camera, very satisfying in use and producing most pleasing results. At current close-out prices, it may be the best buy on the market, so I hope many will benefit from its updated write-up.

August 3, 2007

Goodbye to a friend. To all who expressed interest in my E-300 sale offer: thank you for your trust; the camera was sold earlier today to the first Reader who responded, another E-300 user; it is going to his father, a retired police photographer in New Zealand. I'm glad to know my E-300, which never failed me and provides excellent results, will keep doing what it does best: taking pictures. Now I'll be using an E-500 and E-510 (which I already decided to keep) as my basic equipment, with the C-5050WZ still being the best in tabletop photography, even at 2-sec exposures which are a norm with my feeble lighting system.

The two SLR bodies I'm using now have almost identical controls, which makes switching between them quite convenient. This is a big advantage.

Speaking of the E-510: I continue learning it and working on the technical review; the main text is now 50% ready. This is not just the text, but as I go, I must verify every piece of functionality or specification. Expect the first cut Sunday night; the samples will follow the next week.

July 29, 2007

Yes, I dislike lenses which, when held in your hand, feel like they have nothing inside a cardboard barrel. I also dislike plastic lens mounts. Still, in the last few days I've learned to respect the tiny, lightweight, and plastic-mounted 14-42 mm ZD which comes with the E-510 and E-410. Sorry, little guy, for my prejudices: I like the results you deliver, and I like to carry you around, and I'm going to use you a lot when none of my "serious" photographer friends are watching.

More on the E-510: it is great to have control over in-camera noise filtering and image sharpening, not having to trust in the manufacturer's choice. And, from my initial research into the matter, it looks like my preferences differ from those by Olympus. Have a look at the first results (100 samples compared) and preliminary conclusions in Noise filtering and sharpness in the E-510, which should be fully applicable to the E-410 as well.

When will my E-510 write-up be ready? This is the question asked in almost half of the email I'm getting; at least some people are not willing to depend on concise, easy-to-comprehend (pre-chewed, digested, and excreted) reviews, giving a precise star rating in each of six categories, with a convenient weighted average at the end.

A firmware update for the E-510 and E-410 has been announced, addressing some problems in writing to fast CF cards (I had none with the Sandisk Extreme III and IV). As usual, my first attempt to connect to the Olympus server failed, but I was able to install the update later in the day. Too bad Olympus still insists on providing updates only via Olympus Master a software I don't care much about.

July 27, 2007

The 11-22 mm F/2.8-3.5 User Report is done, although it may still be expanded with more samples, as I've got plenty. The lens is good, but not without minor faults, which should not stop a photographer who needs a solid-performing wide-angle zoom covering more than the 14 mm focal length does.

How fast does the new E-510 write its images to a memory card? Mighty fast, I would say. With a $60 SanDisk Extreme IV Compact Flash, it takes just over one second to write a raw image file (and approximately the same for JPEGs); even with older cards it shows a clear speed advantage over the E-300 and E-500. See my updated card writing speed comparison for details. (For all I know, the E-410 should be providing exactly the same performance.)

The smallest shoulder bag for a basic E-510, E-410, or E-500 system: the tiny and lightweight, but quite well-made and generously padded EX 140 by LowePro will hold your camera body and both lenses, leaving one vertical compartment for the FL-36 (but not larger) flash or another accessory. After some research, I picked one up at a Best Buy store for about $25, and I like it — more than any non-Tenba bag I bought in the past. (Unfortunately, Tenba dropped my favorite compact Traveler model from their line-up, and their current offer seems to be a far cry from what it was three years ago.)

If you need to accommodate a third lens and/or use larger ones, the slightly bigger EX 160 ($30) will work. I've checked it with the 14-54 mm F/2.8-3.5, 40-150 mm F/3.5-4.5, and 50 mm Macro ZD, and all three fit in, together with the camera body, although no room is left for anything else.

In both cases the fit is quite tight and no space gets wasted. And the thing loaded with the basic, two-lens E-510 kit weighs next to nothing.

July 22, 2007

This has been a busy week: I started gaining familiarity with the new Olympus E-510 SLR. With so much hype preceding and following its release, I have to admit I was quite skeptical. You could have noticed I was keeping silent on this subject since the official news announcement last March, suspecting that most, if not all, of the changes from the preceding E-500 (a camera I still highly recommend, and a steal at the current prices!) may be specs-oriented, addressing the concerns and preferences of (most) reviewers and the rest of the box-checking crowd.

The E-510 introduces quite a many changes since the E-500, including, but not limited to, a new type of sensor (CMOS instead of a CCD, a huge and possibly questionable choice!) and, obviously, a new image processing engine. All other specs and gadgetry aside, this is what affects your images most, and this may make it or break it for a new camera. The proof is in the pudding.

Well, the pudding is here, and so far I'm delighted with the taste. My skepticism (always a healthy attitude) seems to have been largely unjustified. It seems that Olympus has succeeded in a tricky operation: a complete change of the imaging platform (read: sensor class), something comparable to Apple switching from IBM PowerPC processors to Intel.

Expect the first, possibly incomplete, version of my in-depth review of the E-500 within a week or two; for the time being you may have a look at my first hands-on impressions, based on a week of using and testing the camera.

E-510 and infrared. One of the first things I've checked was how well does the E-510 work in infrared. Not so bad: its effective IR sensitivity is somewhere between the E-300 and E-500; usable with a tripod. My recommended IR auto-exposure compensation for this camera is +5 EV.

The canine pictures in this page, posted just a few days ago, prompted some Readers to ask for more, so here is the dog beach gallery (my favorite is, perhaps, the group portrait with the small guy wearing a life vest). All of these pictures were shot with an E-500 and the 40-150 mm, F/3.5-5.5 ZD zoom. It will be most interesting to check how the new, really tiny 40-150 mm, F/4-5.6 compares against that lens.

All this caused the review of the 11-22 mm, F/2.8-3.5 ZD lens to be pushed back. Too bad, I already have all the samples, and the lens, while never destined to become a bestseller, is an excellent performer. I regret having to send it to Poland after only two weeks of using it; I suspect I never learned how to get the most of it.

July 17, 2007

A new article, Straight Photography Versus Image Manipulation has been added to the Quest section. Perhaps I should have enclosed "Straight" in quotes? Read and judge for yourself.

The first six months of this year's Photo Tidbits News have been archived as 2007, Part 1. If you were brought here by a search engine, the contents you are looking for might have been moved there.

July 14, 2007

No, these pages are not being abandoned: simply, I am following my "shoot first, write later" rule. And yes, I've spent the last two months quite busy enjoying photography and mostly disregarding the minutiae of the equipment.

While still unable to take the long-delayed trip to the southern Arizona, I made it again to the Ocracoke Island on the Outer Banks, plus the regular share of exploring the Maryland's Eastern Shore.

On the gear front, I had an opportunity to try out both new Olympus SLR models: E-410 and E-510. I like them both, and will get the latter for myself and the former for a friend before the end of July. My friend fell in love at the first sight with the E-410: it feels good in her small hands, and the limited number of external controls makes her feel less intimidated. She was actually thinking about an EVF super-zoom model, but after having handled the E-410 she wouldn't consider anything else (not even the E-510!). Anyway, expect a User Report on both Olympus models soon.

I have also tried the Nikon D-40x: a really nice and thoughtfully designed camera producing good images, but somewhat too limiting for an ambitious user. Still, anyone looking for his/her first SLR should try it out; it is much better than the specs (or most reviews) indicate.

The hands-on report on the 11-22 mm ZD lens is almost done. After using it for two weeks to take countless sample images in addition to more casual shots, I may say this is a serious lens. The 11 mm wide end offers a visible gain from the 14 mm focal length of the 14-54 or 14-45 mm models; the image quality at the center is like in the 14-54, and better in corners, and barrel distortion — almost non-existent. While this may be not the first lens you want to buy after getting the "kit" lenses, serious users, especially those shooting architecture and interiors, will appreciate it. Expect the article to be posted within a week or so.

My E-300 is for sale! [Note: not any longer, sold.]

Yes, I decided to sell this camera, together with its "standard" 14-45 mm ZD zoom lens, at an attractive price of $350 (this includes shipping within the continental US). This will soften the impact of getting the E-510. If you are interested (serious offers only), contact me via email. Keep in mind that for most users the E-500, now heavily discounted, will be probably a better buy (below $600 with two lenses). Both cameras share the same imaging engine and provide the same image quality (with which I am very pleased), but the E-500 has better ergonomics and improved controls. On the other hand, the E-300 body is sturdier and better made; it also has a slightly larger viewfinder (but a smaller LCD monitor). Check my comparison of both models, as well as my original E-300 review for details. Note that all the samples referred to were taken with this particular camera. See also Witek Kaszkin's experience of using the E-300 for a year in the Arctic, under quire adverse conditions.

This E-300 was used as my main camera for about ten months (serving as a second body since) and, with less than 8000 frames logged, the shutter has more than 80% of its life left. The body is clean and with no blemishes or malfunctions; updated to the latest firmware version. The original 14-45 mm, F/3.5-5.6 is clean (never used without a protective UV filter, included) and in perfect condition. Obviously, the warranty has expired.

In addition to all boxed accessories (except for the plastic hot shoe protector, sorry, but you would lose it anyway within days), I'm including a Quantarray (multicoated) UV filter and a 128 CF card (enough to get you started).

Note that the price is below that asked on eBay auctions: I do not want to go through the hassle, and I would like the camera to find a good home (well, at least I do not require you to prove good character and/or morals). I will accept a personal check or a PayPal payment. Sorry, this is limited to the U.S. only.

Once again: please, do not take upon my offer if you are not sure the E-300 is the camera you need. I want to sell it to a person who will be happy with it; this is not a blind date.

Any E-10/E-20 users still out there? While I'm on a selling spree, you may be interested in my TCON-300 attachment lens for that camera, in perfect condition (not new, but at least well tested), in the original, padded carrying box. This will cost you $220, including shipping within the continental U.S. (to which the offer is limited). Check or PayPal, serious offers only.

If you are really interested, I may also decide to sell some of my other E-10/E-20 accessories: TCON-14B (perhaps my favorite), WCON-08B (gets you down to 28 mm EFL), Raynox DCR-FE180PRO (full-frame fish eye), MCON-35 (macro attachment), the RM-CB1 cable release, and the FL-40 flash unit. No, I'm still keeping my E-20, to which I'm emotionally attached...